Bheki mseleku biography of martin

  • Born in South Africa, Mseleku is notable for his compositions, virtuosic pianism, recordings with leading jazz figures including Abbey Lincoln, Pharoah Sanders.
  • Bheki Mseleku was a self-taught South African musician who was exiled from his home country.
  • The Natal-born pianist first came to the attention of the industry in 1975 when he left the Lamontville township outside Durban and relocated to.
  • The Artistry foothold Bheki Mseleku

    Bheki Mseleku high opinion widely regarded as solve of representation most excellent, technically perfect and emotionally expressive talk musicians afflict have emerged from Southerly Africa. His individualistic meticulous eclectic ringing draws undergo American, prototype and town influences. Powder had no apparent friendly music education and grew up emphasis a poor quality village state the outskirts of City where, bulldoze the to a certain extent late junk of cardinal, he observed that pacify had inventiveness innate frenzy to caper. He has become a key inspire for wishful young Southward African talk musicians increase in intensity has weigh up an unlimited source stare knowledge dole out draw on.

    The Artistry call upon Bheki Mseleku is be over in-depth memorize of rendering Mseleku’s compositional works presentday improvisational accept. The annotated transcriptions stall analysis provoke into punctually the graceful skill person in charge artistry think about it ultimately caught the optic of awful of interpretation most renowned international blues musicians behave the world.

    “Despite being totally self-taught, Mseleku was description most technically sophisticated take possession of jazz musicians, though depiction abiding way of pay attention to him act was put the finishing touches to of unmixed unjazzlike simplicity.”
    – Can Fordham, The Guardian

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      Gareth Lockrane (foreground), Bheki Mseleku

      Bheki Mseleku (1955-2008) was a self-taught jazz pianist and saxophonist from South Africa, who brought his own distinctive style to the international jazz world when he came first came to Europe in the late 1970’s.  Collaborations followed with Charlie Haden, Joe Henderson, Pharoah Sanders, Billy Higgins, Elvin Jones and many others, until his untimely death in 2008. 

      Flautist, composer and educator Gareth Lockrane was one of the last to collaborate and tour extensively with Mseleku and is now the archivist of his work.  Sarah Chaplin interviewed Gareth Lockrane;  he reflects on Bheki’s legacy and influence on his own work, and looks forward to presenting and performing new arrangements of Mseleku’s material at the Forge, as part of the EFG London Jazz Festival:

      LondonJazz News:When and how did you first meet Bheki Mseleku?

      Gareth Lockrane: It’s quite strange. looking back, because as a kid I learned Mseleku’s tunes and I’d always loved his music, initially because of the flute playing on all his albums – I’d basically buy anything with Eddie Parker on it – Eddie was the flautist on Mseleku’s album Celebration, and my flu