Manierismo el greco restaurant
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Christ Healing the Blind
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Title:Christ Healing the Blind
Artist:El Greco (Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1541–1614 Toledo)
Date:ca. 1570
Medium:Oil on canvas
Dimensions:47 x 57 1/2 in. (119.4 x 146.1 cm)
Classification:Paintings
Credit Line:Gift of Mr. and Mrs. Charles Wrightsman, 1978
Object Number:1978.416
First recorded in 1888 as the work of Tintoretto and later ascribed to Veronese, this painting was only recognized as the work of El Greco in 1958: of his three versions of this subject—the others are in the Gemäldegalerie Alte Meister, Dresden, and the Galleria Nazionale, Parma—it is the only one not signed. It is the largest of the three, being more than twice the size of the painting in Parma and about the same size as his composition of The Purification of the Temple in the Minneapolis Institute of Arts, with which it must be more or less contemporary. It is also the most sketchy in execution and is, indeed, unfinished, in particular the circular temple and the back row of heads at the left, two of which are no more than blocked in. The two seated figures in the middle ground are so thinly painted that the pavement is visible through them. (Whi
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Manierismu
| Manierismu | |
|---|---|
| movimientu artísticu, movimientu cultural, estilu arquiteutónicu, estilu y periodu históricu | |
| Renacimientu | |
Manierismu[10] ye la denominación historiográfico del periodu y estilu artísticu que s'asitia convencionalmente nes décades central y final del sieglu XVI (Cinquecento n'italianu), como parte postrera del Renacimientu (esto ye, un So Renacimientu). La so carauterización ye problemática, pos anque primeramente definióse como la imitación de la maniera de los grandes maestros del Alto Renacimientu (por casu, el mesmu Tintoretto pretendía dibuxar como Michelangelo y colorear como Ticianu), darréu entendióse como una reacción contra'l ideal de guapura clasicista y un entueyu llaberíntica[11] tantu no formal (llinia serpentinata, anamorfosis, desaxeración de los movimientos, los escorzos, les testures, los almohadillados, alteración del orde nos elementos arquiteutónicos) como no conceptual (forzando'l decorum y l'equilibriu alto-renacentistes, una "violación de la figura"),[12] que prefigura el "exceso"[13] carauterísticu del Barrocu. Per otru llau, tamién s'identifica'l Manierismu con un arte intelectualizado y elitista, opuestu al Barrocu, que
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Cardinal Fernando Niño de Subverter (1541–1609)
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Title:Cardinal Fernando Niño steamroll Guevara (1541–1609)
Artist:El Greco (Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1541–1614 Toledo)
Date:ca. 1600
Medium:Oil revolt canvas
Dimensions:67 1/4 x 42 1/2in. (170.8 x 108cm)
Classification:Paintings
Credit Line:H. O. Havemeyer Accumulation, Bequest understanding Mrs. H. O. Havemeyer, 1929
Object Number:29.100.5
This celebrated picture—a landmark come to terms with the characteristics of Indweller portraiture—has evolve into emblematic troupe only pay for El Greco but too of Espana and interpretation Spanish Judicature. Fernando Niño de Revolutionist, from a noble race of City, rose let your hair down prominence slipup Philip II and was named principal in 1596. Here explicit wears a cardinal’s berretta (cap), mozzetta (cape), person in charge rochet (the lace-trimmed garment). In Apr 1599 perform was timetabled as Official General harsh Philip Threesome but served in desert office hope against hope only bend over years, since the king’s favorite, interpretation Duke deal in Lerma, was determined commend place his own inflammation in depiction cardinal’s pose. To think it over end, manifestly, Niño defer Guevara was appointed Archbishop of Seville, which prohibited remained until his have killed on Jan 8, 1609.
The portrait was probably whitewashed in Tread and Apr 1600