Wu wenguang biography of albert
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Index
Lessard, Bruno. "Index". The House of Wang Bing: Sinitic Documentary betwixt History courier Labor, Hong Kong: Hong Kong Academy Press, 2023, pp. 174-180. https://doi.org/10.1515/9789888805860-014
Lessard, B. (2023). Guide. In The Cinema disregard Wang Bing: Chinese Movie between Representation and Labor (pp. 174-180). Hong Kong: Hong Kong University Control. https://doi.org/10.1515/9789888805860-014
Lessard, B. 2023. List. The Theatre of Wang Bing: Island Documentary 'tween History beginning Labor. Hong Kong: Hong Kong Lincoln Press, pp. 174-180. https://doi.org/10.1515/9789888805860-014
Lessard, Bruno. "Index" In The Cinema observe Wang Bing: Chinese Picture between Portrayal and Labor, 174-180. Hong Kong: Hong Kong Academia Press, 2023. https://doi.org/10.1515/9789888805860-014
Lessard B. Index. In: The Big screen of Wang Bing: Island Documentary halfway History turf Labor. Hong Kong: Hong Kong Lincoln Press; 2023. p.174-180. https://doi.org/10.1515/9789888805860-014
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POETIC MELODY FROM HANGZHOU杭州詩韵Lead Musician: He-Yi 何怡, Vocal & Guqin (Chinese Zither)This event will be broadcast twice in two different times and platforms for North American and Asian audiences respectively. You are welcome to join any of the performances. For other time zones, please use a time zone converter, as Arizona does not observe Daylight Savings Time.To receive a link to view the concert and an electronic program book in English and Chinese, please sign up for our email list here: http://eepurl.com/gb2yaD. You should receive a Zoom link automatically. If you are already on our list, you should have received the link. This link will allow you to access all of our 2020 fall events. No need to register multiple times.American Premiere and Viewing Platform:Date/Time in Arizona: Nov. 7, 2020, 7 pm - 8 pm (MST)Center for Buddhist Studies Youtube Channel, Facebook, ZoomAsian Premiere and Viewing Platform:Date/Time in Beijing: 2020, Nov. 7, 7 pm - 8 pm (BST)Ms. He-Yi’s bilibili channel.Program:1. “Ding Feng Bo” 定風波 (Calming Wave and Wind), lyrics by Su Shi 蘇軾 (1037-1101),Hangzhou Mayor, composed by Jin Wei, 3’302. “An Xiang” 暗香 (Fragrance from Somewhere Unseen), lyrics and music composed by Jiang Kui 姜夔 (1155-1221), resident of Hangzhou, adapted by Liu Qing, 4’303. “Gu Yu
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Create Dangerously: Faces of Contemporary Chinese Artists
Programmer: Li Xinxin
Every artist today is embarked on the contemporary slave galley. He has to resign himself to this even if he considers that the galley reeks of its past, that the slave-drivers are really too numerous, and, in addition, that the steering is badly handled. We are on the high seas. The artist, like everyone else, must bend to his oar, without dying if possible—in other words, go on living and creating.
—— Create Dangerously, Albert Camus
“Creating Dangerously” can also be written as “Creating Danger,” where “Danger” serves both as a noun and an adverb. Honest creation may invite danger, but the mission of creation is also to generate danger. Danger is both a consequence and a precious motivation borne of courage, often reflecting an artist’s fundamental commitment to truth and freedom. Creating dangerously to confront the dangers of creation, and continuously paying the price for it, represents the tragic cyclical interaction between contemporary Chinese artists and their circumstances. Over the decades, they have endured, doubted, defended, and despaired on the fringes of the avant-garde.
This curatorial project focuses on several faces of con