Theodoor van thulden biography of abraham
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Theodoor van Thulden was born in 's-Hertogenbosch in 1606, as the eldest of nine children. His father, Jacob van Thulden, was a silversmith by trade, although he earned his keep as a cloth merchant. At the age of fifteen van Thulden moved to Antwerp, where he studied with the little-known portrait painter Abraham Blyenberch. In 1626 he became a member of the Antwerp guild of St Luke; he would be dean of the guild in 1639 and 1640. Although he was never a pupil of Rubens, he was greatly influenced by his work and collaborated with him on several occasions, notably on work for the Torre de la Parada in Spain in the years 1636-38. Between 1631/33 the artist stayed in Paris, where he published a series of prints depicting Odysseus’ adventures after Primaticcio's and dell'Abate's frescoes in the Palace of Fontainebleau.
After his return to Antwerp van Thulden married Maria van Balen, the daughter of the painter Hendrick van Balen, on 24 July 1635. Their daughter, Maria Anna, was born in 1636. In 1635 van Thulden collaborated on the decorations for the Joyous Entry of the Cardinal-Infante Ferdinand, a project coordinated and overseen by Rubens. He was also asked by the Antwerp city council to produce the engravings for a commemorative book, the Pompa
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Theodoor van Thulden
Theodoor van Thulden
Holy Franciscus heals Giovanni di Karat (detail), Theodoor van ThuldenTheodoor precursor Thulden
Theodoor van Thulden
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Master Paintings
Thedoor van Thulden was born in 's-Hertogenbosch in 1606, the eldest of nine. His father was a silversmith. At age fifteen van Thulden went to Antwerp, where he studied with the little-known portrait painter Abraham Blyenberch. In 1626 he became a member of the Antwerp guild of St Luke; he would be its dean in 1639 and 1640. Although he was never a pupil of Rubens, he was greatly influenced by his work and collaborated with him on several occassions, notably on work for the Torre de la Parada in Spain in the years 1636-38. Between 1631 -33 the artist stayed in Paris, where he copied Primaticcio's and dell'Abate's frescoes at Fontainebleau, which he also engraved. In 1635 van Thulden married Maria van Balen, the daughter of the painter Hendrick van Balen. Their daughter Maria Anna was born in 1636.
In 1635 van Thulden collaborated on the decorations for the Joyous Entry of the cardinal-infante Ferdinand, a project overseen by Rubens. He was also asked to produce the engravings for a commemorative book, the Pompa Introitus Ferdinandi, which was only published in 1642 and caused him considerable financial losses. Plagued by money worries, he went back to his native 's-Hertogenbosch in 1644, where he would remain for the rest of his life