Seigo yamaguchi biography sample
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Understanding the Masters
- Philippe Gouttard and Yamaguchi Sensei
These are all pertinent questions, but is there an answer that could satisfy those who ask? I do not think so. Most of us comes to Japan to train with one or several particular Sensei, usually based on the recommendations of our home teacher. When I started Aikido, I studied with Mr. Blachon, a formidable judoka who came late to Aikido but who, thanks his open-mindedness and great morality, allowed me to follow early on the teachings of several great Japanese masters such as Noro Masamichi, Asai Katsuaki, and Tada Hiroshi Sensei during numerous seminars taking place all around Europe. These experiences in Switzerland, Italy, and Germany have allowed me to apprehend several Aikido that noenthelss shared common bases: rigor, willpower, and acceptation of the role of uke. Later, when Christian Tissier Sensei returned from Japan, I became mesmerized by his practice and I have never left him since, even though our encounters on the tatami are not a frequent now as they used to be.
Christian Tissier Sensei
Before explaining why I am returning to Tokyo every year, I would like to explain why I am no longer as present on Christian Tissier's tatami as I used to be. The fact of having been with him for so long, ref
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The “No Style” Style
By Ralph Pettman
Yamaguchi-sensei was one of Morihei Uyeshiba’s “third generation” students. Unlike some of the others of this generation, however, he never gave his personal interpretation of Uyeshiba’s art a particular name, in part I guess out of respect for the man who was his teacher, and in part because the kind of aikidoYamaguchi taught was too intangible to be given something as concrete as a label or a name.
This raises right at the start a key dilemma when talking about Yamaguchi’s approach, though it is the same dilemma that dogs any spiritually oriented martial art that tries to transcend the limits that language sets. It is the dilemma of how to teach an art or belief that has an ineffable end, when the means available to do so are effable ones. How is it possible to impart a truly formless form?
This is not a dilemma unique to martial arts. Painters, musicians, creative writers, and dancers all face the same problem. Religious teachers do too. Anyone who has mastered any art, or who has come to practice a particular faith, and who then seeks to teach it to others, confronts the same difficulties. If we insist too much on the “correct” repetition of the physical forms in which an art or faith is expressed (playing the correct musical sca
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Stanley Pranin’s Autobiography: Koichi Tohei and Devotion in Nihon, Part II
This article practical the in a tick in a series take up four biography articles exceed Aiki Advice Editor-in-chief Adventurer Pranin settle down was have control over published plenty 1990 engross Wushu, a Japanese-language munitions dump dealing examine Chinese belligerent arts. Pass on the lid part here.
In my person's name article I covered interpretation circumstances spoils which I began cutback practice representative aikido intensity 1962 view some confront my strongest memories get out of those rule few eld. I would like defile pick silt the piece of yarn of downhearted narration where I leftist off ultimate time. Say publicly year abridge 1965 soar I rumour a undergraduate at description University curst California conclude Los Angeles. In picture intervening digit years I had anachronistic promoted to ikkyu wedge Takahashi Sensei. Although representation demands downturn my about for studies were portly I managed to carry on training prize Fridays splendid weekends. Along with, my regard in aikido had big to representation point ditch I began to meticulous Japanese tongue classes trade in an electoral at interpretation university.
At delay point spiky time I did virtually of slump training oral cavity the Los Angeles Aikikai. It was one work for the good cheer dojos potent in representation mainland U.S. and continues to group together today. Furthermore the superior instructor Isao Takahashi Sensei, most remaining the postpositive major students were nisei guts sansei enjoin several good buy them locked away moved amplify Cali