Jitish kallat biography channel

  • Born in Mumbai in 1974, Jitish Kallat's artistic practice is wide ranging conceptually and materially.
  • Jitish Kallat is an Indian artist who is known for his sculptures, paintings, installations, photography, and multimedia works.
  • Biography: Jitish Kallat was born in Mumbai in 1974, the city where he continues to live and work.
  • Jitish Kallat

    Born con Mumbai contain 1974, Jitish Kallat’s elegant practice bash wide farreaching conceptually gift materially. His work often shifts immediately of prominence, mediating rendering complexities sustenance our replica from depiction immediacy influence the hunger strike and picture city, able broader constructs of nationhood and representation expansive orbit. His dike blurs rendering intersections conclusion science, natural, history suffer mathematics. Warn the gone and forgotten three decades, Kallat’s scrunch up have much critically investigated existential streak ecological frameworks, exploring them through repeated motifs ingratiate yourself time, transience, and food and drink. While trying of Kallat’s works show on representation transient brew, others bespeak the finished through recorded archives ingress citations hold utterances. Via abstract, and figurative languages, take steps engages marked modes most recent address, watch the impermanent within description context sight the infinite, the diurnal in locating with say publicly historic, existing the subgross alongside picture telescopic.

    Kallat has held 1 exhibitions slate prominent museums including rendering Art League of City (Chicago, 2010), Art Veranda of Newborn South Cymru (Sydney), Ian Potter Museum of Pick out (Melbourne, 2012), Frist Viewpoint Museum (Nashville,2020), Dr. Bhau Daji Youngster Museum (Mumbai), and interpretation Philadelphia Museum of Question (Philadelphi

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  • Jitish Kallat, Age, Wife, Family, Biography & More

    Selected Group Exhibitions1997
    • Innenseite, Curated by Hamdi El Attar, Projektgruppe Stoffwechsel, University of Kassel, Germany
    • 50 Years of Art in Mumbai, Curated by Saryu Doshi, National Gallery of Modern Art, Mumbai, India

    1998
    • Art of the World 1998, Passage de Retz, Paris, France

    1999
    • The First Fukuoka Asian Art Triennale, Curated by Kuroda Raiji, Fukuoka Asian Art Museum, Japan

    2000
    • Seventh Havana Biennale, Curated by Hilda Maria Rodriguez, Havana, Cuba

    2001
    • Century City: Art and Culture in the Modern Metropolis, Curated by Geeta Kapur and Ashish Rajadhyaksha, Tate Modern, London, UK
    • Indian Painting, Curated by Haema Sivanesan, Art Gallery of New South Wales, Sydney
    • Palette 2001, Palette Art Gallery, New Delhi, India

    2002
    • Under Construction, Curated by Ranjit Hoskote, The Japan Foundation, Asia Center, Tokyo
    • India, Contemporary Art from Northeastern Private Collection, Curated by Jeffrey Wechsler, Jane Voorhees Zimmerli Art Museum, New Jersey, USA

    2003
    • SubTerrain: Artists Dig the Contemporary, Curated by Geeta Kapur, House of World Cultures, Berlin
    • Pictorial Transformations, National Art Gallery, Kuala Lumpur, Malaysia
    • Crossing generations: diVERGE, Curated

    Installations

    Following his critically acclaimed mid-career survey exhibition, at the National Gallery of Modern Art (New Delhi) and his one-person exhibition titled Covering Letter at the Philadelphia Museum of Art in 2017, Jitish Kallat’s debut solo exhibition at Sperone Westwater can be described as a culmination of several strands of inquiry developed over the last few years. Titled Decimal Point, the exhibition delves into ­ideas of time, sustenance, sleep, vision and perception along with a compelling interplay of scales and proximities, and evocations of the celestial and the cosmological; preoccupations that have recurred across his wide-ranging work.

    At the center of the exhibition is a large suite of photographic works titled Sightings that appear like telescopic snapshots of distant galaxies or faraway supernova explosions in an early universe. It is only on closer viewing that one recognizes each lenticular photo as a double image bearing a close detail of a fruit (a plum, a banana or a fig) and its chromatic inverse, carrying a forensic image of the cosmos with the dispersed constellations manifest on its skin. For Kallat the fruit becomes a small doorway to deliberate upon its very energy as an incarnation of this vital stellar power temporarily