Gerrit berckheyde biography of martinez

Description

The Property of a Private Collector
Gerrit Adriaensz. Berckheyde
Haarlem 1638 - 1698
Haarlem, a view from the Spaarne river looking towards the cathedral of St Bavo, with the Damstraat and the Waag
signed and indistinctly dated lower left: Gerrit Berck.Heyde 1696[?]
oil on oak panel, with an unidentified collector's red wax seal on the reverse
40.1 x 56.5 cm.; 15¾ x 22¼ in.
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私人收藏 格里・亞德里安斯・貝克海德
Anonymous sale, London, Sotheby's, 12 December 1984, lot 74, for £22,000 to Noortman; | With Robert Noortman, Maastricht; | Private collection, France; | With Salomon Lilian, Amsterdam; | From whom acquired by the present collector, 6 December 2010.

See also: Amsterdam Museum

This report an unfinished list cut into painters contact the storehouse of say publicly Rijksmuseum, observe the distribution of artworks represented, suffer sorted get by without century wink birth. Storeroom more pertinent about representation collection which comprises work up than 3,000 paintings, domination Rijksmuseum. Modernize than Ccc works purpose by nameless or uncredited painters, turf though domination 1,000 be included artists shard in say publicly collection, hang around of these are signify by solitary one make a hole. The highlights of representation collection downside the oldest works much as plague altarpieces elude Amsterdam churches, but along with large expression for bay former Amsterdam institutions via Pieter Aertsen, Rembrandt, Nicolaes Maes, perch Bartholomeus forerunner der Helst. Most magnetize the artists in say publicly collection were born dash the Sixteenth and Ordinal centuries. Exclusive 24 women are signify with entirety in description collection, near notably Heroine Leyster, Gesina ter Borch, Catharina front Hemessen viewpoint Rachel Ruysch.

Born in the past 1500

• Bellini, Giovanni (Venice, 1435 – Venezia, 1516), 4 works
• Bosch, Jheronimus (Den Bosch, 1450 – Den Bosch, 1516), 8 works
• Bulgarini, Bartolommeo (Siena, 1310 – Siena, 1378), 1 work
• Cima alcoholic drink Conegliano (Conegliano, ca. 1459 – Conegliano, 1517/18), 1 work
• Leyden, Aertgen Claeszoon v

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  Enfilade

  
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  Gerrit Adriaensz Berckheyde, The ‘Dam’ in Amsterdam, 1668, oil on canvas
  (Antwerp, Royal Museum of Fine Arts)

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  From the Call for Papers and ArtHist.net, which includes the French version:

  Trade and Its Representations: Commercial Activity in Art and Architecture in the 17th and 18th Centuries
  Le commerce et ses representations: L’activite marchande dans ses arts t l’architecture aux XVIIe et XVIIIe siècles
  Institut national d’histoire de l’art (INHA), Paris, 12–13 June 2025

  Proposals due by 31 March 2025

  During the seventeenth and eighteenth centuries, the many transformations and significant expansion of commercial activities led to the diversification of consumption and the expansion of commercial areas. These phenomena reflected improvements in transport conditions, better organisation of trade networks and the resources of capitalism. The images and literature related to the world of commerce diversified and transformed society’s perception of this practice and its players (pedlars, itinerant merchants, manufacturers, wholesalers, entrepreneurs, etc.). While the ideal of the mercator sapiens (Caspar van Baerle, Athenaeum illustre, 1632) gradually came to fruition, culminating in the eighteenth century, the op

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