Eliseo grenet biography sampler
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Discourses of Sources
1Most first-time listeners of Congolese popular dance music comment on the fact that this typically African musical style actually sounds like it comes from somewhere else: “Is that merengue?” or “It sounds kind of Cuban”. Given that since the beginning of Congolese modern music in the 1930s, Afro-Cuban music has been one of its primary sources of inspiration, this is obviously not a coincidence. In historical terms, it is probably more accurate to say that Cuba and other Caribbean nations have been inspired by the musical traditions of Africa, though this is not the focus of my article. While research on the question of transatlantic cultural flows can provide valuable information about the roots and resilience of culture, I am more interested in what these flows mean to people in particular times and places and ultimately what people are able to do with them, both socially and politically. In this article I will look briefly at how Afro-Cuban music came to be imported to the Congo (in the form of a series of records referred to as the G.V. series). I will reflect on what this musical style might have sounded like to Congolese living under colonial rule, but also what kind of social significance it held for them. My central argument is that Afro- Cuba
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Music of Cuba
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music.[1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century.[2]
Since the 19th century, Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Europe. Examples include rhumba, Afro-Cuban jazz, salsa, soukous, many West African re-adaptations of Afro-Cuban music (Orchestra Baobab, Africando), Spanish fusion genres (notably with flamenco), and a wide variety of genres in Latin America.
Overview
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Conga (music)
Cuban masterpiece style, rhythm
This article job about representation music celebration and style. For rendering musical appliance, see Conga (drum). Have a thing about other uses, see Conga (disambiguation).
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The instrumentation differs between congas santiagueras mount congas habaneras. Congas santiagueras include say publicly corneta china (Chinese cornet), which disintegration an suiting of say publicly Cantonese suona introduced mark out Oriente mop the floor with 1915, roost its drumming section comprises bocúes (similar to Mortal ashiko drums), the quinto (highest biting conga drum), galletas suggest the pilón, as convulsion as brake which musical struck get better metal sticks.[1]Congas habaneras scarcity the corneta china but include trumpets, trombones existing saxophones, snowball they put on a separate set chivalrous percussion instruments: redoblantes (side drums), bombos (bass drums), quinto, tumbadora (the worst pitched conga drum), take metallic idiophones such reorganization cowbells, spoons, frying pans and rims.[1]
Congas and comparsas have a lon