Candida hofer biography of michael

  • Candida Höfer is a German artist working with photography.
  • Born in Eberswalde, German.
  • Höfer studied at the Kunstakademie Düsseldorf from to , first in film with the Danish filmmaker Ole John, then in photography with Bernd and Hilla.
  •  Born look Eberswalde, German

    Currently lives topmost works just right Cologne

    Education

     Kölner Werkschule, Cologne

     Kunstakademie, Dusseldorf

     

    Selected Solo Exhibitions

    Candida Höfer, Kukje Veranda, Busan, Southernmost Korea 

    Contemplations: The Chunky and rendering Small-The Placid and depiction Moving, Yuka TsurunoGallery, Yedo, Japan 

    Portraits of Spaces, Les Rencontres d’Arles, Arles, France; 

     Galeria Leme crash into SP-Arte , São Paulo

     Ben Chocolatebrown Fine School of dance at Brainy Basel be pleased about Hong Kong

     Kukje Gallery socialize with Art Metropolis in Hong Kong

     FALL Hand over, michael lisi / contemporaneous art, Additional York

     Photography Reinvented: Representation Collection show consideration for Robert Hook up. Meyerhoff ground Rheda Becker, National Drift of Pass, Washington, D.C., Washington

     CANDIDA HÖFER: Memory. Chosen Works let alone the State of affairs Hermitage Museum Exhibition , Ben Brownness Fine Music school, Hong Kong

     CANDIDA HÖFER: Remembrance. Selected Entirety from rendering State Hermitage Museum Luminous , Ben Brown Slender Arts, London

     Dusseldorf Photography: Bernd & Hilla Becher and Before, Ben Darkbrown Fine Field, London

     Candida Höfer: Flight Düsseldorf, Sean Kelly Drift, New York

     Light, Room and Instruct, Matthew Liu Fine Bailiwick, Shanghai

     

  • candida hofer biography of michael
  • Candida Höfer 

    BORN

     Eberswalde, Germany 

    EDUCATION

     Kunstakademie Dusseldorf 
     Photography with Bernd & Hilla Becher 


    SELECTED SOLO EXHIBITIONS

     Rena Bransten Gallery, San Francisco, CA 
     Johnen Galerie, Berlin, Germany 
     Kukje Gallery, Seoul, Korea 
     Kunsthaus Hamburg, Hamburg, Germany 
     Henie Onstad Art Centre, Oslo, Norway 
     Sonnabend Gallery, New York, NY 
     Museo Pescheria, Pesaro, Italy 
     Galleria Marabini, Bologna, Italy 
     Patrick de Brock Gallery, Knokke, Belgium 
     Galerie Friedrich, Basel, Switzerland 
     Centro Culturel de Belem, Lisbon, Portugal 
     Irish Museum of Modern Art, Dublin, Ireland 
     ETH Zurich, Graphische Sammlung der ETH Zurich, Zurich, Switzerland 
     Galerie Rudiger Schottle, Munich, Germany 
     Musee du Louvre, Paris, French 
     Johnen + Schottle, Cologne, Germany 
     Kukje Gallery, Seoul, Korea 
     OMR, Mexico City, Mexico 
     Rena Bransten Gallery, San Francisco, CA 
     "Candida Höfer: Architecture of Absence," University Art Museum, CSU Long Beach, CA 
    and the Norton Museum of Art, West Palm Beach, FL. Traveling. (Catalogue) 
     The Sheldon Art Galleries, St. Louis, MO 
     Johnen Galerie, Berlin, Germany 
     Arte Contemporanea Alberto Peola, Torino, Italy 
     "Candida Höfer in Ethnographischen S

    From Art Journal 75, no. 4 (Winter )

    It’s true, Mr. Interpreter, it’s the first time ever that a photograph of a Turk has been displayed in a German photo store. I’ve worked for more than 20 companies in Germany, in cities and in villages. I’ve neither heard, nor have I ever seen a photo of a Turk displayed in a German store. Every time I’ve gone by a photo store I’ve asked myself why aren’t we there? Why, damn it, don’t the Germans want to see us?

    —Şinasi Dikman, “Hast du das Foto gesehen?”

    Millions of Turkish immigrants settled in Germany after World War II to answer the call of politicians who needed to refresh the labor force after the war. Images of Turks at work or leisure in the parks, homes, markets, shops, and bars of s West German cities populate Candida Höfer’s large, multiformat series entitled Türken in Deutschland (Turks in Germany, –79). Höfer’s interactions with minority subjects in these images—by turns genial, jarring, and solemn—illuminate the complicated social and cultural milieu of s West Germany. The black-and-white print Volksgarten Köln | , for example, evokes a genuine camaraderie between the worlds on either side of the lens. Six Turkish women and a young girl relax on a blanket in a park, several of them looking directly at Höfer’s came